[Intro: Krizz Kaliko]
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The Martini
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In movie terms, directors use this phrase
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To describe the last shot of the day while on set
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The stories you are about to hear are true
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Names have been kept the same to reflect the Strange
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This is the Martini..
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[Verse 1: Tech N9ne]
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This is Sam
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He was so in love with her
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But she was young and so that put her off in a jam
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Though she was sweet as a yam
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She wanted to explore other options with her man
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Straight sending Sam into a rampage
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And no matter what his fam says
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Hes lost without this woman and dont wanna live any damn ways
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Now hes thinkin, if he aint gon live, she aint gon live
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And the other mans mercy, he aint gon give
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This what love do, it cops a .38 snub to
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Knock on your door, and take somebody that used to love you
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Rub you, the wrong way, then its blood true
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Love through, shes slug one and hes slug two
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Then on a rainy evening, with a panicked feelin
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Went to her home and looked in the window and Sammy sees them
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The doors between her and the Necromancer
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And what you think is gon happen if she answers?
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[Chorus: Krizz Kaliko]
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Take a drink, its more than what you think
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I gotta let you know, dont plan on letting you go
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But if you have to leave, thats where well end the scene
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This is the Martini, last shots for you or me
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[Verse 2: Tech N9ne]
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Yo, this is Isaiah
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I guess he was, Id say a
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Ladies man, everyone used to call him the KCI Playa
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Flying multiple chicks in, give the stick then dismiss them
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But somethins gonna happen thatll twist him
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He fell in love with a beautiful black woman
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But he ended up having a couple problems with that woman
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Talkin to other men, did it behind his back on em
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Facebook, computer love, crept on the Mac on em
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Now hes salty, cause he found the woman he loves is faulty
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He told her at the very beginning, “Dont you ever cross me”
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Now that she did it, he plans to do something unlawfully
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Get a gun off the street, because he was treated so awfully
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One bullet for her, one bullet for him
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Crimes of passion, aint no more pullin for them
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And the worst way, we broke apart, it really hurts lady
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Ive gotta go, but yo, you gotta go first baby
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[Chorus: Krizz Kaliko]
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Take a drink, its more than what you think
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I gotta let you know, dont plan on letting you go
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But if you have to leave, thats where well end the scene
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This is the Martini, last shots for you or me
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[Verse 3: Tech N9ne]
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This is Brian
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He was a rebel and stayed on another level
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And had no intentions of dying
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He loved Kim a lot, above them was not
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But a jealous ex-husband would love them to rot
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I guess he loved Kim still
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His only thoughts him, them, kill
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‘Cause he a coward motherfucker
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On Christmas Eve he broke in and waited in they house for hours
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Crazy motherfucker!
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Brian pulled up with Kim and little Alissa in the car
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Saw a shadow in the house from afar and said, “Wait”
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Got out the car, opened the gate
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Walked in the house and her fucking ex sealed my niggas fate
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That was my best friend, bitch-ass nigga
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Walked out the house and shot Kim right in front of Alissa
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Then he saved the last shot for him, blast!
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Now you better hope I dont go to hell, because Ima be on your ass!
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[Chorus: Krizz Kaliko]
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Take a drink, its more than what you think
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I gotta let you know, dont plan on letting you go
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But if you have to leave, thats where well end the scene
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This is the Martini, last shots for you or me
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[Outro: Krizz Kaliko]
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Executive producer: Travis OGuin
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Associate producer: Dave Weiner and Ron Spaulding
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Project consultant, general management: Bob Grossi, Brian Shafton and Ben Grossi
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Production assistants: Korey Lloyd, Glenda Cowan, Dawn OGuin, Cory Nielsen and Brian Fraser
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Project management and publicity coordinator: Korey Lloyd
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And publicity by: Richie Abbot and Megan McLean
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A&R: Travis OGuin and Aaron D. Yates, Tech N9ne
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Legal: Bob Lieberman
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Photography: RW2
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Art direction and design: Liquid 9
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Marketing and promotion: Britton Kimler and Chris Rooney
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Street marketing: Aaron Bean and Josh Rickards
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Internet marketing: Brad Morrow-ow-ow
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Creative consultant for Strange Music: My main man David Temple
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Album score by: Michael “Seven” Summers
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Recorded and mixed by: Robert Rebeck
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Mastered by: Tom Baker and additional vocals by me (Kali Baby)
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This is the end of K.O.D
